MADE IN ASEAN

Online Exhibition

Who is Southeast Asia made of?

We must beg this question of who instead of what, because decades after Southeast Asian countries’ colonial histories the search for a shared identity persists. In 1967 the Association of Southeast Asian Nations (ASEAN) was founded as a means of establishing mutual cooperation within the region and since then, it has grown from five post-war countries to ten independent member states. One Vision, One Identity, One Community; the ASEAN motto implies seeing, recognising, and belonging.

Fifteen participants from different ASEAN countries — Brunei Darussalam, Cambodia, Indonesia, Lao PDR, Malaysia, Myanmar, the Philippines, Singapore, Thailand, and Viet Nam — and the UK engaged in participatory photography to reflect on what it means to be Southeast Asian and an ASEAN member citizen in today’s world. The main challenge was to reflect on the various ways we might see, recognise, and belong to ‘ASEAN-ness’ using images of everyday life, nostalgia, and places — almost stripping the grand narrative of geopolitics down to what we can imagine with our very eyes and, by extension, what can be observed by our cameraphones.

The view of a nameless street from one’s window, intertwining clotheslines stretched out from the kitchen back door, a cupboard overflowing with chopsticks, spoons, pots and pans, a handful of souvenirs and trinkets tucked away for several years, and memories of travel adventures and childhood games. The similarities are uncanny yet familiar to our imaginative eyes; the differences only reveal themselves when we speak of them.

While we remain indoors for still an uncertain period of time, we invite you to visit Southeast Asia by imagining with us. Choose any country, any destination, any place. Only, you will need more than your own eyes and senses to explore. This is why we are offering you ours.

MADE IN ASEAN transforms our collective act of imagining into image-making. As the regional integration project ASEAN Vision 2020 was envisioned to launch this year, our curatorial project offers the public an alternative means of reflecting on the ASEAN’s identity-building efforts in the last fifty years. Who makes the ASEAN? Who makes of the ASEAN? What do we make of the ASEAN?

We can only imagine, for now. 
(Read this text in available languages.)

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An international curatorial collaboration, MADE IN ASEAN presents an assemblage of photographs taken from various locations in Southeast Asia. Reminiscent of the online crowdsourcing of photographs that was initiated by students in Thailand in 2011 (and eventually made recurrent by the ASEAN Youth Organization’s yearly online photography contests), MADE IN ASEAN is a challenge to view our imagination of Southeast Asia as a construct, a model, or a product. In other words, the choice to make is in our hands. The exhibition focuses on images that are typically excluded by the visual rhetoric of touristic snapshots and travel selfies, and yet left embedded in cameraphones if not deleted. Hence, these images are not necessarily unseen and untaken. But for images as yet unphotographed  due to the so-called ‘unmaking’ of the year 2020, this exhibition also opens another space for make-believe. View the online exhibition here.

MADE IN ASEAN Online Exhibition ran live from 15 November to 15 December 2020, bookended by the 37th ASEAN Summit[1] in Ha Noi (virtually hosted by Viet Nam as ASEAN Chair for 2020) and the 23rd anniversary of the ASEAN-wide adoption of the ASEAN Vision 2020[2] declaration in 1997. With the virtual gallery still open to the public, the online exhibition features the outcomes of a months-long participatory photography project with contributions from the participants: Andy Chan (Singapore), Faizul H. Ibrahim (Brunei), Freya Chow-Paul (UK & Singapore), Katrine Hong (China & Philippines), Dr Kathryn Kyaw (Myanmar), Kerrine Goh (Singapore), Martin Vidanes (Philippines), Dr Nursalwa Baharuddin (Malaysia), Phát Nguyen (Viet Nam), Phynuch Thong (Cambodia), Prach Gosalvitra (Thailand), Rodrygo Harnas Siregar (Indonesia), Yammy Patchaya Teerawatsakul (Thailand), and an anonymous participant (Lao PDR). Photographs from other international contributors were also included (see credits in the virtual gallery). This asynchronous online exhibition builds on the visual culture research led by Kristian Jeff Agustin (Philippines), during his PhD studies at Manchester School of Art, UK. 

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[1] 12 – 15 November 2020 (via the ASEAN Viet Nam 2020 official website: https://asean2020.vn)

[2] 15 December 1997, Kuala Lumpur, Malaysia (reference: https://asean.org/?static_post=asean-vision-2020)

MADE IN ASEAN

Pameran Online

Untuk siapa Asia Tenggara dibuat?

Kita harus menanyakan siapa selain apa, karena pencarian identitas bangsa-bangsa Asia Tenggara terus berlanjut setelah beberapa dekade sejarah kolonialnya. Pada tahun 1967, Asosiasi Bangsa-bangsa Asia Tenggara (ASEAN) didirikan sebagai sarana untuk menjalin kerjasama yang saling menguntungkan di dalam Kawasan Asia Tenggara dan sejak itu telah berkembang dari 5 negara pasca-perang menjadi 10 negara yang merdeka. Satu Visi, Satu Identitas, Satu Komunitas; Semboyan Asean yang melihat, mengenali, dan memiliki.

Beberapa peserta dari negara ASEAN (Brunei Darussalam, Kamboja, Indonesia, Laos, Myanmar, Filipina, Singapura, Thailand dan Vietnam) dan Inggris menggunakan fotografi untuk merefleksikan apa artinya menjadi Asia Tenggara dan menjadi anggota warga negara ASEAN. Tantangan utama adalah untuk merefleksikan berbagai cara yang kita dapat melihat, mengenali, dan menjadi bagian dari ASEAN yang menggunakan gambaran sehari-hari dan kenangan, yang hampir membawa narasi besar geopolitik kearah yang dapat kita bayangkan dengan mata kita sendiri – dan apa yang dapat diamati oleh ponsel kamera kami.

Pemandangan jalan tanpa nama dari jendela seseorang; tali jemuran yang terentang dari pintu belakang dapur; lemari yang penuh dengan sumpit, sendok, panci dan wajan; segenggam suvenir dan pernak-pernik yang disimpan selama beberapa tahun; dan kenangan akan petualangan perjalanan dan permainan masa kecil. Kemiripannya yang luar biasa namun akrab di mata imajinatif kita; dan perbedaan hanya terungkap dengan sendirinya ketika kita membicarakannya.

Sementara kami tetap berada di dalam ruangan untuk jangka waktu yang masih tidak pasti, kami mengundang Anda untuk (kembali) mengunjungi Asia Tenggara dengan berimajinasi bersama kami. Pilih negara manapun, tujuan manapun, tempat manapun. Hanya saja, Anda membutuhkan lebih dari sekadar mata dan indra Anda sendiri untuk menjelajah. Inilah mengapa kami menawarkan Anda apa yang ada pada kami.

MADE IN ASEAN mengubah tindakan kolektif kita dari berimajinasi menjadi pembuatan citra diri. Sejalan dengan rencana proyek integrasi regional ASEAN Vision 2020 untuk diluncurkan tahun ini, proyek kuratorial kami menawarkan kepada publik sarana untuk merefleksikan upaya pembangunan identitas ASEAN dalam lima puluh tahun terakhir.

Siapa yang membuat ASEAN? Siapa yang harus berhubungan dengan ASEAN? Apa yang kita ketahui tentang ASEAN?

Untuk saat ini, kita hanya dapat membayangkannya.

BUATAN ASEAN

Pameran Dalam Talian

Dari siapa Asia Tenggara?

Kita mesti mengemukakan persoalan siapa dan bukannya apa, kerana setelah beberapa dekad dalam sejarah penjajahan negara-negara Asia Tenggara, pencarian identitinya adalah berterusan. Persatuan Negara-negara Asia Tenggara (ASEAN) telah ditubuhkan pada tahun 1967 di mana keahliannya dianggotai oleh lima negara pasca-perang dan berkembang menjadi sepuluh negara yang bebas dari penjajahan. Penubuhan ASEAN berfokuskan kepada satu visi, identiti dan komuniti yang membawa maksud melihat, mengenali dan memiliki.

Beberapa peserta dari negara ASEAN (Brunei Darussalam, Cambodia, Indonesia, Laos, Malaysia, Myanmar, Filipina, Singapura, Thailand, dan Vietnam) dan United Kingdom turut sama merenungkan dan memahami tentang apa yang dimaksudkan dengan Asia Tenggara dan perkara yang mendorong mereka menjadi anggota ASEAN. Antara cabaran utama yang dihadapi oleh negara-negara ASEAN adalah dari segi sudut pandang seperti pengenalan dan pemilikan ASEAN melalui penggunaan gambar-gambar dari kehidupan seharian serta nostalgia yang hampir melenyapkan penceritaan geopolitik yang besar dalam bayangan mata kita dan secara langsungnya adalah melalui lensa kamera.

Pemandangan jalan yang tidak bernama dari jendela bilik seseorang; deretan pakaian yang dijemur di tali yang diikat berselirat dari pintu dapur; almari yang dipenuhi dengan penyepit, sudu, periuk dan kuali; cenderamata dan perhiasan yang tersimpan bertahun lamanya, dan kenangan dari pengembaraan serta permainan kanak-kanak. Persamaan dalam perkara ini adalah luar biasa namun tidak asing dalam pemikiran kita yang berimaginasi; perbezaannya hanyalah wujud apabila kita membicarakannya.

Walaupun kita berada di dalam rumah untuk jangka masa yang tidak menentu ini, kami ingin menjemput anda untuk mengunjungi Asia Tenggara dengan membayangkannya bersama-sama kami. Pilihlah mana-mana negara, mana-mana destinasi, mana-mana sahaja yang anda ingin kunjungi. Apa yang diperlukan adalah bukan sahaja deria mata malah deria lain untuk kita meneroka bersama-sama. Inilah sebabnya mengapa kami menawarkan pameran dalam talian ini.

BUATAN ASEAN mengubah kolektif khayalan kepada imej yang nyata. Melalui projek integrasi serantau ASEAN Wawasan 2020 yang akan dilancarkan pada tahun ini, projek ini ingin menawarkan kaedah kepada orang ramai untuk merenungkan usaha-usaha pembangunan identiti ASEAN dalam jangka masa lima puluh tahun terdahulu. Siapa yang menjadikan ASEAN? Apa yang kita buat dari ASEAN?

Kita hanya boleh bayangkannya, buat masa ini.

LIKHA SA ASEAN

Online Exhibition

Sino nga ba ang lumilikha sa Timog-silangang Asya?

Mas mainam na itanong natin ang “sino” sa halip na “ano”, dahil matapos ang ilang dekada ng karanasang kolonyal sa Timog-silangang Asya, patuloy pa rin nating tinutuklas ang ating sariling pagkakakilanlan. Taong 1967, itinatag ang Association of Southeast Asian Nations (ASEAN) upang maitaguyod ang mutual cooperation sa pagitan ng mga bansa sa rehiyon. Pinangunahan noon ng limang post-war na bansa, binubuo na ngayon ang ASEAN ng sampung malalayang estado. “Iisang pananaw, iisang pagkakakilanlan, iisang pamayanan”, ipinapahiwatig ng ASEAN sa mga katagang ito ang pagtingin, pagkilala, at pagsasama-sama.

Sinusubukang bigyang saysay ng labinlimang indibidwal mula sa iba’t ibang bansa sa ASEAN (Brunei Darussalam, Cambodia, Indonesia, Lao PDR, Malaysia, Myanmar, Pilipinas, Singapore, Thailand, at Viet Nam) at mula rin sa UK ang kani-kanilang pagkakakilanlan bilang mga tubong Timog-silangang Asya at bilang mga kasapi ng ASEAN. Sa pamamagitan ng mga litrato ng buhay sa kasalukuyan at nakaraang mga panahon, pati na rin ng iba’t ibang mga lugar, unti-unting binubuo ng mga kalahok sa proyektong ito sa kanilang mga isipan ang patingin, pagkilala, at pagsasama-sama sa ngalan ng ASEAN. Sa pamamagitan ng imahinasyon at cameraphone, tila maibababa mula sa toreng garing ng geopolitics ang diskurso ng sariling pagkakakilanlan upang makita ng mga mapanlikhang mga mata ang karanasan ng bawat kapwa tao.

Mula sa bintana, tanawin ang alaala ng isang lansangang hindi makilala; kabit-kabit na mga sampayang pumapaligid-ligid sa likod ng kusina; samut-saring mga kubyertos na nagkalat; mga naiwang abubot at pasalubong na itinabi; at mga bakas ng paglalakbay at pakikipaglaro. Nabubuo ba ang mga larawang ito kahit na nakapikit ang mga mata? Naririnig ba ang pagkakaiba-iba’t pagkakapare-pareho?

Nasa loob man tayo ng ating mga bahay sa panahong walang katiyakan, halina’t tuklasin pa ang Timog-silangang Asya. Saan man nais pumunta, tiyak na may patutunguhan. Kailangan lamang idilat ang isip at diwa upang masilayan ang nais makita.

Sinisikap baguhin ng Likha sa ASEAN ang ating kapwa pagtingin at paglikha. Habang inaabangan pa rin ngayong taon ang ASEAN Vision 2020, itinatanghal ng proyektong ito, bilang ambag pampubliko, ang isang alternatibong pamamaraan ng pagtingin at pagkilala sa samahang ASEAN sa lumipas na limampung taon. Sino ang lumilikha sa ASEAN? Sino ang nakikibahagi sa ASEAN? Ano ang maaari nating mabuo sa ASEAN?

Hanggang likhang-isip na lang ba tayo?

MADE IN ASEAN

ពិព័រណ៍តាមរយៈប្រព័ន្ធផ្សព្វផ្សាយតាមអ៊ីនធឺណិត

តើអាស៊ីអាគ្នេយ៍ ជា អ្នកណា?
 
យើងត្រូវសួរថាតើអ្នកណាជាសមាជិកអាស៊ានពីព្រោះរយៈពេលរាប់ទសវត្សរ៍បន្ទាប់ពីប្រវត្តិអាណានិគមរបស់ប្រទេសអាស៊ីអាគ្នេយ៍ តំបន់នេះនៅតែបន្តស្វែងរកអត្តសញ្ញាណរួមមួយ។ នៅឆ្នាំ ១៩៦៧ សមាគមប្រជាជាតិអាស៊ីអាគ្នេយ៍ (អាស៊ាន) ត្រូវបានបង្កើតឡើងជាមធ្យោបាយមួយនៃការបង្កើតកិច្ចសហប្រតិបត្តិការរួមនៅក្នុងតំបន់អាស៊ីអាគ្នេយ៍ ហើយចាប់តាំងពីពេលនោះមក សមាគមនេះបានរីកចម្រើន ដែលមានសមាជិកពីប្រទេសទើបចប់សង្គ្រាមចំនួន ៥ រហូតដល់មានរដ្ឋឯករាជ្យជាសមាជិក ចំនួន ១០ ។ ចក្ខុវិស័យមួយ អត្តសញ្ញាណមួយ សហគមន៍មួយ ជា បាវចនាអាស៊ានបង្កប់ន័យ ការមើលឃើញ ការទទួលស្គាល់ និងភាពជាសហគមន៍។
 
អ្នកចូលរួមជាច្រើនមកពីបណ្តាប្រទេសអាស៊ានផ្សេងៗគ្នា (ប្រ៊ុយណេ កម្ពុជា ឥណ្ឌូនេស៊ី ឡាវ ម៉ាឡេស៊ី មីយ៉ាន់ម៉ា ហ្វីលីពីន សឹង្ហបូរី ថៃ និងវៀតណាម) និងចក្រភពអង់គ្លេស បានប្រើប្រាស់រូបថតដើម្បីឆ្លុះបញ្ចាំងពីអត្ថន័យនៃតំបន់អាស៊ីអាគ្នេយ៍និងជាភាពជាសមាជិកមួយរូប ក៏ដូចជា ភាពជាពលរដ្ឋអាស៊ាន។ គោលដៅសំខាន់ក្នុងកម្មវិធីនេះគឺឆ្លុះបញ្ចាំងពីមធ្យោបាយផ្សេងៗដែលយើងអាចមើលឃើញ ទទួលស្គាល់ និងផ្សាភ្ជាប់ភាពជាសហគមន៍របស់អាស៊ាន ដោយប្រើប្រាស់រូបភាពនៃជីវិតប្រចាំថ្ងៃនិងអារម្មណ៍នឹកស្រណោះអនុស្សាវរីយ៍ទាំងឡាយ ដែលរួមមាន ការពិពណ៌នាយ៉ាងទូលំទូលាយពីភូមិសាស្ត្រនយោបាយរហូតដល់អ្វីដែលយើងអាចស្រមៃដោយភ្នែករបស់យើងបាន – ក៏ដូចជាអ្វីដែល អាចសង្កេតបានដោយប្រើកាមេរ៉ាទូរស័ព្ទរបស់យើងផងដែរ។
 
ទិដ្ឋភាពនានា នៅលើ ផ្លូវដែលយើងគ្រលែចមើលពីបង្អួចមួយ កាត់ពីទ្វារខាងក្រោយផ្ទះបាយ; ទូដាក់ចានមួយពោរពេញដោយចង្កឹះស្លាបព្រានិងឆ្នាំង; វត្ថុអនុស្សាវរីយ៍កំប៉ិកកំប៉ុកមួយក្តាប់តូចដែលបានទុកចោលអស់រយៈពេលជាច្រើនឆ្នាំ ក៏ដូចជាអនុស្សាវរីយ៍នៃដំណើរផ្សងព្រេង និងល្បែងកុមារភាព សុទ្ធសឹងជាភាពស្រដៀងគ្នា។ ភាពស្រដៀងគ្នានេះទោះមានលក្ខណះមិនច្បាស់លាស់នៅឡើយ តែវាហាក់បីដូចជាធ្លាប់ស្គាល់ ក្នុងការស្រមើលស្រមៃរបស់យើង។ ភាពខុសគ្នានេះនឹងបង្ហាញខ្លួននៅពេលយើងនិយាយពីវា។
ខណៈពេលដែលយើងទាំងអស់គ្នាស្នាក់នៅក្នុងផ្ទះ ក្នុងរយៈពេលមិនទាន់ប្រាកដប្រជានៅឡើយ យើងសូមអញ្ជើញអ្នករាល់គ្នា មកទស្សនាអាស៊ីអាគ្នេយ៍ឡើងវិញហើយស្រមៃជាមួយពូកយើង។ សូម ជ្រើសរើសប្រទេសណាមួយ ទិសដៅណាមួយ និង កន្លែងណាមួយ។ ហើយ អ្វីដែលអ្នកត្រូវមាន គឺ ភ្នែកនិងញ្ញាណរបស់អ្នក ដើម្បីទស្សនានិងស្វែងយល់។ នេះជាមូលហេតុដែលយើងផ្តល់ជូនអ្នកនូវកម្មវិធីមួយនេះ។
 
MADE IN ASEAN ផ្លាស់ប្ដូរ សកម្មភាពរួមរបស់យើងក្នុងការស្រមៃទៅជាការបង្កើតរូបភាព។ ជាគម្រោងសមាហរណកម្មថ្នាក់តំបន់ ចក្ខុវិស័យអាស៊ាន ២០២០ ត្រូវបានគេគ្រោងនឹងចាប់ផ្តើមនៅឆ្នាំនេះ ហើយគម្រោងអភិរក្សរបស់យើងផ្តល់ជូនសាធារណជននូវមធ្យោបាយឆ្លុះបញ្ចាំងលើកិច្ចខិតខំប្រឹងប្រែងកសាងអត្តសញ្ញាណរបស់អាស៊ានក្នុងរយៈពេល ៥០ ឆ្នាំចុងក្រោយនេះ។ តើអ្នកណាបង្កីតអាស៊ាន? តើអ្នកណាគិតអំពីអាស៊ាន? តើយើងមើលឃើញអ្វីខ្លះអំពីអាស៊ាន?
ឥឡូវនេះយើងអាចស្រមៃបាន។

ເອກະລັກຂອງອາຊຽນ

ການວາງສະແດງຜ່ານສື່ອອນລາຍ

ອາຊີ​ຕາເວັນ​ອອກ​ສຽງໃຕ້​ ກວມມີ​ໃຜແດ່​?

ເຮົາຕ້ອງຕັ້ງຄຳຖາມວ່າອາຊີຕາເວັນອອກສຽງໃຕ້ ກວມໃຜ ແທນການຕັ້ງຄຳຖາມວ່າ ກວມຫຍັງ, ເພາະເຖິງວ່າອາດີດຂອງການເປັນເມືອງອາ¬ນານິຄົມຈະຜ່ານໄປຫຼາຍທົດວັດແລ້ວກໍຕາມ ປະເທດສາມະຊິກອາຊຽນ ຍັງຄົງຄົ້ນຫາເອກະລັກທີ່ພວກຕົນສາມາດມີສ່ວນຮ່ວມນຳກັນໄດ້ໝົດຢູ່.

ສະມາຄົມບັນດາປະຊາຊາດອາຊີຕາເວັນອອກສຽງໃ​ຕ້ (ອາ​​ຊຽນ) ຖືກ​ສ້າງ​ຕັ້ງ​ຂຶ້ນໃນ​ປີ 1967 ​ເພື່ອ​ສົ່ງ​ເສີມການ​ຮ່ວມ​ມື​ລະ­ຫວ່າງ​​ປະ​ເທດ​ໃນ​ພາກ​ພື້ນອາຊີ​ຕາເວັນ​ອອກ​ສຽງໃຕ້ ໂດຍ​​ມີ​ການຂະ​ຫຍາຍ​ໃຫຍ່​​ຂຶ້ນ ຈາກ ຫ້າ ປະ­ເທດ​ສະ­ມາຊິກທີ່​ຢູ່​ໃນ​ສະ​ພາບ​​ຫຼັງພົ້ນ​ສົງ­ຄາມ ​ເປັນ ​ສິບ ປະ​ເທດ​ສະ­ມາຊິກ​ທີ່​ມີ​ຄວາມ​ເປັນ​ເອ​ກະ​ລາດ ນັບ​ແຕ່ມື້​ສ້າງ​ຕັ້ງ. ​ໜຶ່ງ​ວິ​​ໄສ​ທັດ ​ໜຶ່ງ​ເອກ​ະລັກ​​ ໜຶ່ງ​ສະ­ມາ­ຄົມ​​​; ຄຳ​​ຂ​ວັນ​ຂອງ​ອາ​​ຊຽນ​ ກ່າວ​ເຖິງ ​ການ​ຮັບເຫັນ, ຮັບ​ຮູ້ ແລະ ​ການ​ມີ​ສ່ວນຮ່ວມ.

ຜູ້​ເຂົ້າ​ຮ່ວມ​ຫຼາຍ​ຄົນ​ຈາກ ​ປະເທດສະ​ມາ​ຊິກອາ​ຊຽນ​ຕ່າງ​ໆ​ (ບ​ຣູ​ໄນ, ກຳປູເຈຍ, ອິນໂດເນເຊຍ, ສ​ປ​ປ ລາວ​, ມາ​ເລ​ເຊຍ, ​ມຽນ​ມາ, ​ຟິ​ລິບ​ປິນ, ​ສິງກະ​ໂປ, ​ໄທ​ ແລະ ສ​ສ ​ວຽດ​ນາມ​) ແລະ ອັງ​ກິດ ​​ໄດ້​ນຳໃຊ້​​ຮູບ​ຖ່າຍເພື່ອສະ​ທ້ອນ​ຄວາມຫມາຍ​ຂອງ​ການ​ເປັນຄົນອາຊີຕາເວັນອອກສຽງໃຕ້ ແລະ ພົນລະເມືອງ​​ອາ​ຊຽນ.​ ເປົ້​າ​ໝ​າຍ​ຫຼັກ ​ແມ່ນ​ເພື່ອ​ປຶກ​ສາ​ຫາ​ລື ​ເຖິງ​ວິທີ​ການ​ຕ່າງ​ໆ​ທີ່​ພວກເຮົາ​ອາດ ຮັບ​ເຫັນ, ​ຮັບ​ຮູ້ ​ແລະ​ ​ຮັບ​ການມີ​ສ່ວນຮ່ວມໃນ ​ອາ​ຊຽນ​ ໂດຍ​ນຳໃຊ້​​ຮູບ​ຖ່າຍ​ຊີວິດ​ປະຈຳ​ວັນ ​ແລະ​ ​​ຮູບ​ຖ່າຍທີ່​ເຮັດ​ໃຫ້ຄິດຍ້ອນຫຼັງ​ອາ​ດີ​ດ ຊຶ່ງບັງ​ຄັບ​ໃຫ້​ພວກ​ເຮົາ​ຕ້ອງຄຳ​ນຶ່ງ​ເຖິງ​ແຕ່ ​ສິ່ງ​ທີ່​ພວກ​ເຮົາສາ​ມາດ ຈິນຕະນາການ​ໄດ້​ດ້ວຍຕາ​ ແລະ ສັງ​ເກດດ້ວຍໂທ​ລະ​ສັບ​ມື​ຖືຖ່າຍຮູບ​ຂອງ​ພວກ​ເຮົາ ໂດຍ​ເກືອບ​ທີ່​ຈະ​ຕ້ອງ​ບໍ່​ຄຳ​ນຶ່ງ​ເຖິງ​ພາບລວມ​ໃຫຍ່​ຂອງພູມ​ຊາດ. ​

ມຸມ​ມອງ​ຂອງ ​ຖະໜົນທີ່ບໍ່​ມີ​ຊື ​ຈາກປ່ອງ​ຢ້ຽ​ມໃດ​ໜຶ່ງ; ຮາວ​ຕາກ​ຜ້າ​ ທີ່ອອກ​ມາ​ຈາກ​ປະ​ຕູ​ຫຼັງເຮືອນ​ຄົວ; ຕູ້ເກັບ​ເຄື່ອງ​ທີ່​ເຕັມ​ດ້ວຍໄມ້ຖູ່, ບ່ວງ, ​​ໝໍ້ຕົ້ມ ​ແລະ ​​ໝໍ້​ຈືນ;​ ຂ​ອງ​ທີ່​ລະ​ລຶກ ​ແລະ​ ເຄື່ອງ​ປະ​ດັບ​ນ້ອຍຕ່າງ​ໆ​​ ທີ່ຖືກ​ເກັບ​ໄວ້ເປັນ​ເວລາ​ຫຼາຍ​ປີ​; ແລະຄວາມ​ຊົງ​ຈຳຂອງ ການເດິນທາງ​ ແລະ ການ​ຫຼິ້ນ​ເກມ​ໃນ​ໄ​ວເດັກ.​ ຄວາມ​ຄ້າຍຄືເຫຼົ່ານີ້ ມີ​ຄວາມ​ແປກ​ປະຫຼາດ​ ແຕ່ກໍ​ແຟງຄວາມ​ຄຸ້ນຕາ​ເຊັ່ນ​ກັນ ຊຶ່ງ​ພາຍຫຼັງ​ທີ່ພວກເຮົາ​ປຶກ​ສາ​ຫາ​ລື​ກັນ ຈຶ່ງ​ຄ່ອຍ​ສາ​ມາດ​​ເຫັນຄວາມ​ແຕກ​ຕ່າງໄດ້.  

ໃນ​ຊ່ວງທີ່​ເຮົາ​ຍັງ​ຕ້ອງ​​ກັກ​ຕົວ​ພາຍ​ໃນ​ບ້ານ ເປັນເວ​ລາ​ໄລ​ຍະ​​ທີ່​ບໍ່ສາ​ມາດຄາດ​ຄະ​ເນ​ໄດ້, ​ພວກເຮົາ​ຂໍ​​ຊວນເຊີນ​ທ່ານ ຢ້ຽມ​ຢາມ​ອາຊີຕາເວັນອອກສຽງໃຕ້ (ອີກ​ເທື່ອ​) ດ້ວຍ​ການ​ຈິນ​ຕ​ະນາ​ການ​ຮ່ວມ​ກັບ​ພວກ​ເຮົາ​. ທ່ານ​ສາ​ມາດເລືອກ ​ປະເທດ​, ​ຈຸດ​ໝາຍປາຍ​ທາງ,  ແລະ ສະ​ຖານ​ທີ່ ​ໃດ​ກໍ​ໄດ້​ ເພື່ອການສຳ​​ລວດຢ້ຽມ​ຢາມ​ໃນ​ຄັ້ງ​ນີ້ ໂດຍທ່ານ​ຕ້ອງພຶ່ງ​ພາສິ່ງ​ອື່ນໆ ນອກ​ຈາກສາຍ​ຕາ​ ແລະ​ ປະສາດ​​ຮັບ​ຮູ້​ຂອງ​ທ່ານ ຊຶ່ງ​ແມ່ນ​ເຫດຜົນ​ທີ່​ພວກເຮົາ​​ຂໍ​​ຊວນເຊີນ​ໃຫ້​ທ່ານ ສຳ​​ລວດຢ້ຽມ​ຢາມ ຜ່ານ​ຮູບ​ຖ່າຍ ແລະ ປະ​ສົບ​ການ​ຂອງ​ພວກ​ເຮົາແທນ. ​

MADE IN ASEAN ຫັນປ່ຽນ ການ​ຈິນ​ຕະ​ນາ​ການແບບ​ຮ່ວມ​ໝູ່ຂອງ​ພວກ​ເຮົາ ​​ໃຫ້​ເປັນຮູບ​ພາບ​ຕ່າງ​ໆທີ່​ສາ​ມາດ​ເຫັນ​ໄດ້​ດ້ວຍ​ຕາ. ​ອີງ​ຕາມ​​ໂຄງ​ການເຊື່ອ​ມໂຍງວິ​​ໄສ​ທັດອາ​ຊ​ຽນ 2020 (ASEAN Vision 2020) ຊຶ່ງຄາດ​​ວ່າ​ຈະ​ເປີດ​ຕັວ​ໃນ​ປີ​ນີ້​, ໂຄງ​ການ​ນີ້ ຂອງ​ພວກ​ເຮົາ ​ສະເໜີ​ຂໍ້​ສັງ​ເກດ​ການ​ເພື່ອ​ໃຫ້​ສາທາລະນະ​ຊົນສະ​ທ້ອນ​ເຫັນ​ເຖິງ ​ຄວາມພະ​ຍາ​ຍາມໃນ​ການສ້າງເອກະລັກ​ຂອງ​ອາ​ຊຽນ​ ໃນ​ຊ່ວງໄລ​ຍະ​ຫ້າ​ສິບ​ປີ​ທີ່​ຜ່ານມາ​. ​​ໃຜສະ​ທ້ອນ​ຄວາມ​ໝາຍ​ຂອງ​ອາ​ຊຽນ​? ໃຜ​ກວມຢູ່​ໃນ​ອາ​ຊຽນ​? ​ເຮົາ​ເຊື່ອມ​ໂຍງ​ກັບອາ​ຊຽນ​​ຈັງ​ໃດ?

ສຳ​ລັບ​ຕອນ​ນີ້ ເຮົາ​ຈຶ່ງ​ພຽງໄດ້ແຕ່​​ຈິນ​ຕ​ະນາ​ການເທົ່າ​ນັ້ນ​.

MADE IN ASEAN

အွန်လိုင်းပြပွဲ

အရှေ့တောင်အာရှကို ဘယ်လိုဖွဲ့စည်းထားလဲ

ဘာကြောင့်လဲဆိုတော့ အရှေ့တောင်အာရှနိုင်ငံတွေ၏ ကိုလိုနီသမိုင်းနှင့် နှစ် ၅၀ အကြာမှာ တူညီတဲ့အရာများကို ဆက်ပြီး ရှာနေလိုပါ။ ၁၉၆၇ ခုနှစ်တွင် အရှေ့တောင်အာရှနိုင်ငံများအသင်း (အာဆီယံ) ကို ဒေသအတွင်း အပြန်အလှန် ပူးပေါင်းဆောင်ရွက်မှုကို တည်ထောင်ရန် နည်းလမ်းတစ်ခုအဖြစ် စတင် တည်ထောင်ခဲ့ပြီး၊ ထိုအချိန်မှစ၍ စစ်ပြီးခေတ် ငါးနိုင်ငံမှ လွတ်လပ်သော အဖွဲ့ဝင်နိုင်ငံ ၁၀ ခုသို့ ပြောင်းလဲခဲ့သည်။ အာဆီယံ၏ ဆောင်ပုဒ်တစ်ခုမှာ Vision တစ်ခု၊ Identity တစ်ခု၊ Community တစ်ခု ဟူ၍ မြင်ခြင်း၊ တူညီခြင်း နှင့် အဖွဲ့အစည်း ဖြစ်သည်။

မတူညီသော အာဆီယံနိုင်ငံများဖြစ်သည့် ဘရူနိုင်း၊ ကမ္ဘောဒီးယား၊ အင်ဒိုနီးရှား၊ လာအို၊ မလေးရှား၊ မြန်မာ၊ ဖိလစ်ပိုင်၊ စင်ကာပူ၊ ထိုင်း၊ ဗီယက်နမ် နှင့် UK မှ ကိုယ်စားပြု အဖွဲ့ဝင်များသည် အရှေ့တောင်အာရှ၏ အဓိပ္ပာယ်ကို ထင်ဟပ်စေရန် ပူးပေါင်းပါဝင်သော ဓာတ်ပုံရိုက်ခြင်းနှင့် လက်ရှိကမ္ဘာမှာ ရှိနေသော အာဆီယံအဖွဲ့ဝင်နိုင်ငံသားများ၏ ပုံရိပ်ကို ဖော်ညွှန်းခဲ့ကြသည်။

အဓိက စိန်ခေါ်မှုမှာ ကျွန်ုပ်တို့သည် နေ့စဉ်ဘဝ၊ လွမ်းဆွတ်မှုနှင့် နေရာများ၏ ပုံရိပ်များကို အသုံးပြုခြင်းအားဖြင့် အာဆီယံအသိုက်အဝန်းတွင် ကျွန်ုပ်တို့ မြင်နိုင်၊ အသိအမှတ်ပြုနိုင်နှင့် ပါဝင်နိုင်သည့် အမျိုးမျိုးသော နည်းလမ်းများကို ပြန်လည် စဉ်းစားရန် ဖြစ်သည်။ ကျွန်ုပ်တို့၏ ကင်မရာဖုန်းများကနေ ဘာတွေ တွေ့နိုင်သလဲ၊ လက်ရှိ ကမ္ဘာကြီးမှာ ဖြစ်ပေါ်နေတဲ့ ပုံရိပ်တွေကို မြင်တွေ့နိုင်ပါတယ်။

တစ်ဦးတည်း၏ ပြတင်းပေါက်ကနေ အမည်မသိ လမ်း၏ အမြင်၊ မီးဖိုချောင်မှာသာ မြင်တွေ့နိုင်သည့် ခွက်၊ ဇွန်း၊ အိုးတို့နှင့် ပြည့်နေသည့် ဗီရိုတစ်ခု၊ ခရီးသွားခြင်းဆိုင်ရာ စွန့်စားခန်းများနှင့် ကလေးဘဝ ဂိမ်းများကို အမှတ်ရခြင်း။ တချို့ ရင်းနှီးနေတဲ့ အရာတွေကို ကျွန်ုပ်တို့၏ စိတ်ကူးယဉ် မျက်စိနှင့် ပုံဖော်ခဲ့ကြသည်။ မတူညီကွဲပြားတဲ့ အမြင်ယူချက်တွေကိုလည်း ဆွေးနွေးဖော်ထုတ်ခဲ့ကြသည်။

မသေချာတဲ့ အချိန်အတိုင်းအတာ တစ်ခုထိ အိမ်ထဲမှာ နေခဲ့ကြရပေမယ့် အရှေ့တောင်အာရှသို့ လာရောက်ရန် ဖိတ်ခေါ်ပါသည်။ မည်သည့်နိုင်ငံ၊ မည်သည့်နေရာကိုမဆို ရွေးချယ်ပါ။ သင် စူးစမ်းလေ့လာရန် သင့်ကိုယ်ပိုင် မျက်လုံးများနှင့်သာမက ကိုယ်တိုင် ခံစားရန်လည်း လိုအပ်ပါလိမ့်မည်။ ဒါကြောင့် ကျွန်ုပ်တို့က ဖိတ်ခေါ်ပါသည်။

MADE IN ASEAN သည် ကျွန်ုပ်တို့၏ စုပေါင်း စိတ်ကူးထားမှုကို ပုံရိပ်အဖြစ် ပြောင်းလဲပေးသည်။ ဒေသတွင်း ပေါင်းစည်းမှု စီမံကိန်း အာဆီယံ Vision 2020 ကို ယခုနှစ်တွင် စတင်ရန် ရည်မှန်းထားသဖြင့် ကျွန်ုပ်တို့၏ စီမံကိန်းသည် ပြီးခဲ့သည့် နှစ် ၅၀ အတွင်း အာဆီယံ၏ တည်ဆောက်မှု အားထုတ်မှုများကို ပြန်လည် သုံးသပ်ရန် အများပြည်သူအတွက် ထင်ဟပ်မှု တစ်ခု ပေးခဲ့သည်။

အာဆီယံကို ဘယ်သူ ဖန်တီးတာလဲ? အာဆီယံကနေ ဘယ်သူတွေ ဖန်တီးထားလဲ? ကျွန်ုပ်တို့ရော အာဆီယံအတွက် ဘာလုပ်ပေးနိုင်လဲ? ကျွန်ုပ်တို့ ယခုထိတော့ စိတ်ကူးသာ ယဉ်နိုင်ပါတယ်။

MADE IN ASEAN

网上展览

东南亚是由谁组成的?

东南亚殖民已成了几十年前的历史,然而寻求共同身份的意愿依然存在。因此我们必须回答的问题是谁而不是什么。在1967 年,为了建立东南亚国家之间的相互合作,东南亚国家联盟(ASEAN)成立了。从1967年起,东盟从5个战后国家增长到10个独立国家。一个愿景、一个身份、一个体团,东盟的座右铭意味着「看到」、「承认」以及「归属感」。

来自不同东盟国家(文莱达鲁萨兰国、柬埔寨、印尼、老挝、马来西亚、缅甸、菲律宾、新加坡、泰国和越南)和英国的参与者通过参与式摄影,表达身为现代中的东南亚人或东盟公民的意义。当中主要的挑战是使用日常生活和怀旧来反映我们每天所看到的,认知的和属于“东盟式”的,将把复杂的叙事简洁成我们肉眼所能看见的,我们手机能拍摄的。

想象你能从窗户看见的一条熟悉的街,或从厨房后门延伸出来的晾衣绳,一个存满着筷子汤匙与锅碗瓢盆的橱柜,一些藏了多年的旅行纪念品,和许多忘不了的童年回忆。这些相似之处令人难以置信。虽然熟悉,但当我们讨论时,差异便渐渐的浮现。

就在这非平凡的时期,我们想邀请您和我们一同想象东南亚。您能选择任何国家,任何终点,任何地方。此外,您不仅需要自己的双眼和感觉来探索,所以我们也想把我们的视野与你分享。

MADE IN ASEAN 用图像以及照片改造我们集体对于东盟国家想象。地域合并的项目 ASEAN Vision 2020 原本计划在今年开幕,因此我们的策展项目提供给观众另一种方式来反思东盟过去五十年建构身份的成果。是谁制造东盟?东盟是由谁组成?我们如何看待东盟?

现在,我们唯有想象。

東盟製造

網上展覽

東南亞是由誰形成呢?

我們必須問這個問題,是誰而不是什麼,因為東南亞國家的殖民歷史已經過去了幾十年,他們對共同身份的追求仍然存在。 在1967年,東南亞國家聯盟(ASEAN)成立,旨在在東南亞地區建立相互合作,此後,它已從戰後5個國家發展為10個獨立成員國。一種願景、一種身份、一種社區,東盟的座右銘意味著「看到」、「承認」以及「歸屬感」。

來自不同東盟國家(文萊達魯薩蘭國、柬埔寨、印尼、老撾、馬來西亞、緬甸、菲律賓、新加坡、泰國和越南)和英國使用攝影來反映成為東南亞一份子和東盟公民會員意味著什麼。當中主要的挑戰是使用日常生活和懷舊的圖像來反映我們平日也許看到的,認識的和屬於東盟的各種方式,幾乎使用地緣政治的宏大敘事變成我們用肉眼所能想像到的一切,或是,我們從手機拍照所能觀察到的。

從窗戶望出去的無名街景;相互交錯的晾衣繩從廚房後門伸延出去。櫥櫃裡滿是筷子、湯匙、鍋碗瓢盆,藏了幾年的少量紀念品和小飾品,以及旅行冒險和兒童遊戲的回憶。我們的富於想像力的相似之處令人難以置信,但卻熟悉。而差異只有在我們談到它們時才會顯現出來。

雖然我們在室內仍處於不確定的時間段,但我們邀請您與我們一起想像,重新訪問東南亞。選擇任何國家、任何目的地、任何地方。只是,您需要的不僅是自己的眼睛和感官來探索,這就是為什麼我們向您提供我們的 [我們的眼睛和感官]

東盟製造將我們的想像集體行動轉變為影像創作。預期將在今年啟動區域融合項目“ 2020年東盟願景,我們的策展項目為公眾提供了一種反思過去50年中東盟身份建設工作的方式。誰創造了東盟?誰必須與東盟有聯繫?我們對東盟了解多少?

現在,我們唯有想像。

ผลิตในเอเชียตะวันออกเฉียงใต้

นิทรรศการออนไลน์

คำถามที่เราควรถามตัวเองคือ: เอเชียตะวันออกเฉียงใต้ประกอบด้วยใครบ้าง?

50 ปีที่แล้ว สมาคมประชาชาติเอเชียตะวันออกเฉียงใต้ (อาเซียน) ถูกก่อตั้งขึ้นเพื่อช่วยให้ประเทศต่างๆ ในภูมิภาคทำงานร่วมกัน เริ่มต้นด้วย 5 ประเทศหลังสงคราม และเติบโตขึ้นเป็น 10 ประเทศสมาชิกอิสระในปัจจุบัน คำขวัญของอาเซียนคือ “วิสัยทัศน์เดียวกัน เอกลักษณ์เดียวกัน ชุมชนเดียวกัน” คำขวัญนี้ชี้ให้เห็นถึงการมองเห็นซึ่งกันและกัน การตระหนักถึงความคล้ายคลึงกัน และความรู้สึกว่าเราเป็นส่วนหนึ่งของกันและกัน

ผู้คน 15 คนจากประเทศต่างๆ ในอาเซียน ได้แก่ บรูไน ดารุสซาลาม กัมพูชา อินโดนีเซีย ลาว มาเลเซีย เมียนมาร์ ฟิลิปปินส์ สิงคโปร์ ไทย และเวียดนาม รวมถึงสหราชอาณาจักร ได้เข้าร่วมในโครงการถ่ายภาพ พวกเขาใช้ภาพถ่ายเพื่อคิดถึงความหมายของการเป็นชาวเอเชียตะวันออกเฉียงใต้และพลเมืองอาเซียนในปัจจุบัน

ความท้าทายคือการแสดงให้เห็นว่า “การเป็นอาเซียน” หมายถึงอะไรผ่านภาพถ่ายชีวิตประจำวัน ความทรงจำ และสถานที่ที่คุ้นเคย แทนที่จะมุ่งเน้นไปที่เรื่องราวทางการเมืองใหญ่ พวกเขากลับมองไปที่สิ่งง่ายๆ ที่เราสามารถมองเห็นและบันทึกภาพได้ด้วยกล้องโทรศัพท์มือถือของเรา

ตัวอย่างเช่น: วิวถนนที่เงียบสงบจากหน้าต่าง เสื้อผ้าที่แขวนอยู่บนราวหลังบ้าน ตู้ครัวที่เต็มไปด้วยตะเกียบ ช้อน หม้อ และกระทะ ของที่ระลึกเล็กๆ น้อยๆ ที่เก็บไว้นานหลายปี ความทรงจำเกี่ยวกับเกมส์ในวัยเด็กและการเดินทาง

ฉากเหล่านี้หลายๆ ฉากดูคล้ายคลึงกันทั่วเอเชียตะวันออกเฉียงใต้ ความคล้ายคลึงกันนั้นทำให้ความรู้สึก คุ้นเคย แม้ว่าเราจะอาศัยอยู่ในประเทศที่แตกต่างกัน ความแตกต่างจะชัดเจนก็ต่อเมื่อเราพูดคุยกันเท่านั้น ในขณะที่หลายคนยังคงใช้เวลาอยู่แต่ในบ้าน เราขอเชิญชวนให้คุณไปเยื่อนเอเชียตะวันออกเฉียงใต้ในจินตนาการของคุณ คุณสามารถเลือกประเทศหรือสถานที่ที่ใดก็ได้ แต่แทนที่จะใช้เพียงดวงตาและประสาทสัมผัสของคุณเอง คุณยังสามารถมองผ่านจินตนาการของเราได้ด้วย

โครงการ MADE IN ASEAN เปลี่ยนจินตนาการร่วมกันนี้ให้กลายเป็นภาพถ่าย ในขณะที่อาเซียนวางแผนโครงการบูรณาการระดับภูมิภาค ASEAN Vision 2020 นิทรรศการนี้จึงนำเสนออีกวิธีหนึ่งในการคิดเกี่ยวกับความพยายามของอาเซียนในการสร้างอัตลักษณ์ร่วมกันในช่วงห้าสิบปีที่ผ่านมา

นิทรรศการนี้ตั้งคำถามเหล่านี้: ใครเป็นผู้ก่อตั้งอาเซียน? และใครเป็นผู้กำหนดทิศทางของอาเซียน? อาเซียนมี ความหมายอย่างไรต่อเรา?

ஆசியானில் தயாரிக்கப்பட்டது

ஆன்லைன் கண்காட்சி

தென்கிழக்கு ஆசியாவை உருவாக்குவது யார்? இந்த கேள்வியை நாம் கேட்க வேண்டும், யார் இல்லை, ஏனென்றால் தென்கிழக்கு ஆசிய நாடுகளின் காலனித்துவ வரலாறு பல தசாப்தங்களாக கடந்துவிட்டது, ஒரு பொதுவான அடையாளத்தை அவர்கள் பின்தொடர்வது இன்னும் உள்ளது. 1967 ஆம் ஆண்டில், தென்கிழக்கு ஆசிய நாடுகளிடையே பரஸ்பர ஒத்துழைப்பை ஏற்படுத்துவதற்காக, தென்கிழக்கு ஆசிய நாடுகளின் சங்கம் (ஆசியான்) நிறுவப்பட்டது. 1967 முதல், ஆசியான் போருக்குப் பிந்தைய 5 நாடுகளிலிருந்து 10 சுதந்திர நாடுகளாக வளர்ந்துள்ளது. ஒரு பார்வை, ஒரு அடையாளம் மற்றும் ஒரு குழு. ஆசியானின் குறிக்கோள் “பார்ப்பது”, “அங்கீகரித்தல்” மற்றும் “சொந்தமானது” என்பதாகும்.

பல்வேறு ஆசியான் நாடுகளில் (புருனே தாருஸ்ஸலாம், கம்போடியா, இந்தோனேசியா, லாவோஸ், மலேசியா, மியான்மர், பிலிப்பைன்ஸ், சிங்கப்பூர், தாய்லாந்து மற்றும் வியட்நாம்) மற்றும் ஐக்கிய இராச்சியம் ஆகியவற்றிலிருந்து பங்கேற்பாளர்கள் புகைப்படம் எடுத்தல் மூலம் தங்கள் அடையாளத்தை வெளிப்படுத்தினர். அறிவாற்றல் “ஆசியான்-பாணி”, மற்றும் சுருக்கமான சிக்கலான விவரிப்புகளை நம் நிர்வாணக் கண்களால் நாம் காணக்கூடியவை மற்றும் நம் மொபைல் போன்கள் எதைச் சுடலாம் என்பதைப் பிரதிபலிக்க அன்றாட வாழ்க்கையையும் ஏக்கத்தையும் பயன்படுத்துவதே முக்கிய சவால். ஜன்னலிலிருந்து நீங்கள் காணக்கூடிய ஒரு பழக்கமான தெரு, அல்லது சமையலறையின் பின்புற கதவிலிருந்து ஒரு துணிமணி, சாப்ஸ்டிக்ஸ், கரண்டி, பானைகள் மற்றும் பானைகள் நிறைந்த அமைச்சரவை, பல ஆண்டுகளாக மறைத்து வைக்கப்பட்டுள்ள சில பயண நினைவுப் பொருட்கள் மற்றும் பல மறக்க முடியாதவை என்று கற்பனை செய்து பாருங்கள். குழந்தை பருவ நினைவகம். இந்த ஒற்றுமைகள் நம்பமுடியாதவை. தெரிந்திருந்தாலும், நாங்கள் விவாதித்தபோது, ​​வேறுபாடுகள் படிப்படியாக வெளிப்பட்டன.

இந்த அசாதாரண நேரத்தில், எங்களுடன் தென்கிழக்கு ஆசியாவை கற்பனை செய்ய உங்களை அழைக்க விரும்புகிறோம். நீங்கள் எந்த நாட்டையும், எந்த இடத்தையும், எந்த இடத்திலும் தேர்வு செய்யலாம். கூடுதலாக, ஆராய உங்கள் சொந்த கண்கள் மற்றும் உணர்வுகள் உங்களுக்கு மட்டுமல்ல, எனவே எங்கள் பார்வையை உங்களுடன் பகிர்ந்து கொள்ள விரும்புகிறோம்.

“ஆசியானில் தயாரிக்கப்பட்டது” ஆசியான் நாடுகளின் எங்கள் கூட்டு கற்பனையை மாற்ற படங்களையும் புகைப்படங்களையும் பயன்படுத்துகிறது. பிராந்திய இணைப்பு திட்டம் ஆசியான் விஷன் 2020 முதலில் இந்த ஆண்டு திறக்க திட்டமிடப்பட்டது, எனவே எங்கள் கியூரேட்டோரியல் திட்டம் பார்வையாளர்களுக்கு கடந்த 50 ஆண்டுகளில் ஆசியானின் அடையாள கட்டுமானத்தின் சாதனைகளைப் பிரதிபலிக்க மற்றொரு வழியை வழங்குகிறது. ஆசியானை உருவாக்கியவர் யார்? ஆசியான் யார்? ஆசியானை நாம் எவ்வாறு பார்க்கிறோம்?

இப்போது, ​​நாம் கற்பனை மட்டுமே செய்ய முடியும்.

MADE IN ASEAN

Triễn lãm Trực tuyến

Ai làm nên Đông Nam Á?

Chúng ta đặt câu hỏi bắt đầu là Ai thay vì Cái gì, bởi vì nhiều thập kỷ sau thời kỳ đô hộ của các nước trong khu vực Đông Nam Á, việc tìm kiếm bản sắc chung trong khối vẫn tiếp tục. Hiệp hội các quốc gia Đông Nam Á (ASEAN) được thành lập vào năm 1967 nhằm thiết lập sự hợp tác trong hiệp hội và từ đó, hiệp hội đã phát triển từ 5 thành viên quốc gia sau chiến tranh sang 10 quốc gia độc lập. Một Tầm nhìn, Một Bản sắc, Một Cộng đồng; phương châm của ASEAN thực hiện việc nhận rõ, nhận biết, và thuộc về nhau.

Một số quốc gia thành viên trong khối ASEAN (Brunei, Campuchia, Indonesia, Lào, Malaysia, Myanmar, Philippines, Singapore, Thái Lan và Việt Nam) và Anh Quốc đã sử dụng nhiếp ảnh để trả lời cho câu hỏi Đông Nam Á là gì và công dân của khối ASEAN là ai. Thử thách trong việc tìm ra câu trả lời chính là việc chúng ta tiếp cận qua nhiều cách khác nhau để chúng ta có thể nhận rõ, nhận biết và thuộc về ASEAN bằng việc sử dụng hình ảnh của đời sống hàng ngày và quá khứ, loại trừ những khác biệt về địa chính trị và chỉ còn lại những gì mà chúng ta có thể tưởng tượng bằng nhãn quan của chính chúng ta – rộng hơn, những gì chúng ta có quan sát được bằng máy ảnh của điện thoại.

Khung cảnh từ một con đường không tên qua khung cửa sổ; dây phơi đồ ở cửa sau gian bếp; tủ đựng chén dĩa với nhiều chiếc đũa, muỗng, nồi và chảo; nhiều đồ lưu niệm được cất giữ trong vài năm; và những ký ức về những chuyến du lịch phiêu lưu và những trò chơi trẻ thơ. Những điểm giống nhau khá quen thuộc với nhãn quan của chúng ta; còn những điểm khác biệt chỉ thể thiện khi chúng ta bàn luận về chúng.

Trong khi chúng ta vẫn phải thực hiện việc duy trì ở trong nhà vào giai đoạn không chắc chắn và không an toàn như hiện này, chúng tôi trân trọng mời bạn (tái) tham quan khu vực Đông Nam Á cùng chúng tôi thông qua hình ảnh. Chọn lựa bất kỳ đất nước, bất kỳ điểm đến, bất kỳ địa điểm nào. Bạn chỉ cần đôi mắt và giác quan của bạn để khám phá. Đó là lý do tại sao chúng tôi muốn chia sẻ với các bạn đôi mắt và giác quan của chúng tôi.

MADE IN ASEAN (tạm dịch là XUẤT XỨ TẠI ĐÔNG NAM Á) nhằm giới thiệu sự thay đổi  trong tưởng tượng của chúng tôi thành những hình ảnh. Vì dự án ASEAN Tầm nhìn 2020 vừa được giới thiệu năm nay nên dự án của chúng tôi mong muốn cung cấp cho công chúng một diễn đàn nhằm nhìn lại những nỗ lực xây dựng bản sắc ASEA trong 50 năm qua. Ai làm nên khối ASEAN? Khối ASEAN bao gồm những ai? Điều gì chúng ta nên thực hiện cho khối ASEAN?

Chúng ta chỉ có thể tưởng tượng ở thời điểm bây giờ.

ASEAN VISION PROJECT Participants

(Click to view profile)

Dr Nursalwa Baharuddin
Malaysia

Dr Nursalwa Baharuddin

Malaysia

 

Nursalwa is a malacologist (an expert in the study of molluscs) by profession and a senior lecturer at Universiti Malaysia Terengganu. She obtained her doctoral degree from Universiti Brunei Darussalam and also holds a Master of Science degree from the University of Canterbury, New Zealand and Bachelor of Applied Science from University College of Science and Technology (KUSTEM).

Andy Chan
Singapore

Andy Chan

Singapore

 

Andy obtained his Bachelors of Science in International Relations (University of London - Singapore Institute of Management) and holds a Diploma in Accountancy.

Freya Chow-Paul
United Kingdom / Singapore

Freya Chow-Paul

United Kingdom / Singapore

 

Freya Chow-Paul, a British national with Singaporean heritage, works at the Asia-Europe Foundation (ASEF) Education Department. Freya graduated from the University of Sussex, England, with a Bachelor’s degree in International Relations and Development. During her undergraduate, Freya undertook two study abroad exchanges, a summer school in Taipei at the National Taiwan University, and in Malmö, Sweden, for her third year at Malmö University under the Erasmus programme. Through her studies, she focused on peace and conflict studies, as well as education in development. Passionate about theatre, Freya also has 7 years extra-curricular experience in technical theatre where she worked primarily in stage management.

Kerrine Goh
Singapore

Kerrine Goh

Singapore

 

Kerrine is an arts management graduate from LASALLE College of the Arts and is currently with the National Arts Council, Singapore. She has been actively involved in the arts since 2015, with a portfolio that extends across a range of art forms, from visual and performing arts to literature and heritage. Kerrine’s research interests lie in cultural diplomacy and the distributional effects of cultural policy. Aside from the arts, Kerrine enjoys reading, writing, exploring and she is also a certified yoga instructor.

Prach Gosalvitra
Thailand

Prach Gosalvitra

Thailand

 

Prach is a passionate street and travel photographer. He is currently employed at 3M Global Service Center (Philippine Headquarters).

He is an alumnus of Santisuk English School Bangkok.

Katrine Hong
China / Philippines

Katrine Hong

China / Philippines

 

A Chinese national with Filipino heritage, Katrine is an avid traveler. She is currently employed at 3M Global Service Center (Philippines). She holds a Bachelore of Science degree in Entrepreneurship.

Faizul H. Ibrahim
Brunei Darussalam

Faizul H. Ibrahim

Brunei Darussalam

 

Faizul is a freelance writer and an aspiring cultural anthropologist who is currently pursuing a career in academia. He currently works at Universiti Brunei Darussalam as a Research Assistant for the Special Academic Advisor.

Dr Kathryn Kyaw
Myanmar

Dr Kathryn Kyaw

Myanmar

 

Kathryn is a Myanmar young serial entrepreneur, best selling author, and professional speaker. She is a winner of the prestigious Myanmar Young Entrepreneur Award (2017) and ASEAN Youth Award (2019).

Dr Amy Matthewson
Canada / United Kingdom

Dr Amy Matthewson

Canada / United Kingdom

 

Dr Amy Matthewson received her doctorate in History from the School of Oriental and African Studies (SOAS), University of London. Her research explores race relations through visual and material culture, specifically China’s relationship with the global community in the late nineteenth and early twentieth centuries. She has a special interest in British and Chinese contact as well as the processes of ideology and epistemology.

Phát Nguyen
Viet Nam

Phát Nguyen

Viet Nam

 

Phat is the founder of Chay Nhặt in Viet Nam, a project that aims to address marine pollution through cleaning up beaches and educating students. He holds a Bachelor’s degree in Business Administration from University of Economics Ho Chi Minh City (Viet Nam), a Dual Master’s degree in Political Science from Ateneo de Manila University (Philippines) and in Peace Education from University for Peace (Costa Rica). Phat has experience working as a youth programme facilitator for The Earth Charter Initiative and as a programme coordinator for the School for International Training. He is an active member of the GlobalShapers community. He had also attended the regional UNESCO workshop on Education for Sustainable Development and the UNESCO Youth Forum, themed ‘Youth Saves the Planet’.

Dr Yen Ooi
Malaysia / United Kingdom

Dr Yen Ooi

Malaysia / United Kingdom

 

Yen is a writer-researcher whose works explore cultural storytelling and its effects on identity. She obtained her PhD at Royal Holloway, University of London, and is specialising in the development of Chinese science fiction by diaspora writers and writers from Chinese-speaking nations. Her research delves into the critical inheritance of culture that permeates across the genre.

Yen is narrative director and writer on Road to Guangdong, a narrative-style driving game. She is also author of Sun: Queens of Earth (novel) and A Suspicious Collection of Short Stories and Poetry (collection). When she's not writing, Yen also lectures and is a mentor in marketing and publishing.

Rodrygo Harnas Siregar
Indonesia

Rodrygo Harnas Siregar

Indonesia

 

Rodrygo has a degree in Pharmacy from the Poltekkes Kemenkes Medan, Republic of Indonesia. He has worked in the last couple of years in Manila, Philippines.

Yammy Teerawatsakul
Thailand

Yammy Patchaya Teerawatsakul

Thailand

 

Yammy speaks 4 languages, spent her last 1.5 decades in over 60 countries, and is an author of bestselling guidebooks about Finland and Central & Eastern Europe. She obtained her first degree with honours from Chulalongkorn University, exchanged at National University of Singapore and obtained her MBA from the University of Nottingham (UK), under a full scholarship. Her past companies included UN, ExxonMobil, Minor, Ogilvy, TED and Google. Outside work, Yammy helps organise TEDxBangkok, dubs and translates TED-Ed Thai, runs various clubs, co-coaches natural running, watches movies, enjoys rearranging rooms, and tries minimalising various aspects of her life. Yammy is currently the founder and managing director of Flying Bear Co., Ltd., a content production company based in Bangkok, and runs her exclusive travel agent Flying Bear Club, using its social media under the same name with 400,000+ online followers. You may want to follow her on Facebook, YouTube or Instagram (@FlyingBearClub) for some travel doses of the day!

Phynuch Thong
Cambodia

Phynuch Thong

Cambodia

 

Phynuch Thong is an international civil servant and content strategist. He has been advocating for people's ingenuity, social innovation, and creative problem solving toward development challenges. He is a founder of Cambodia’s ASEAN Youth Leaders Association and has also worked for the US Peace Corps Cambodia, Our Own Projects and as a United Nations Volunteer in Cambodia. He has represented Cambodia at UNDP and UNESCO events and focuses on areas such as youth empowerment, higher education access, water sanitation, and sustainable development.

Martin Vidanes
Philippines

Martin Vidanes

Philippines

 

Martin Vidanes is a multimedia designer. Currently working at the Asia-Europe Foundation (ASEF) Communications Department, he brings with him his seven years of experience in design and marketing from a variety of industries. He is well-versed in both print and digital work, but specialises in graphic and motion design as well as video editing. Prior to joining ASEF, Martin was employed by two multi-national companies over a span of five years. He also worked in the editing room of several award-winning independent Filipino films as an assistant editor or a colourist. As a consultant, he has worked on several projects with organisations such as the Bank of the Philippine Islands, Nickelodeon, The Asia Foundation, the Office of Chief Justice Artemio V. Panganiban (Ret.), and Accord, Inc. Martin is a graduate of the University of the Philippines-Diliman with a BA degree in Interdisciplinary Art Studies. Outside of work, Martin enjoys reading young adult fiction, and people. 

Anonymous
Lao PDR

Anoymous

Lao PDR

 

 

Our participant from Lao PDR has requested to remain anonymous. Their inputs and photographs contributed for this project will also be anonymised in any published output.

Dr Kristian Jeff Agustin
Philippines
Lead Curator

Dr Kristian Jeff Agustin

Philippines

 

Originally from Manila, Philippines, Kristian has also lived in Singapore (during a stint at the Asia-Europe Foundation), in Hong Kong (for his PhD research at Hong Kong Baptist University School of Communication / Academy of Film), and in London (for his postgraduate studies at the University of Westminster). In 2023, he obtained his PhD degree at Manchester Metropolitan University - Manchester School of Art. His current and previous academic and professional affiliations include the following: International Communication Association (ICA), International Association for Media and Communication Research (IAMCR),  Association of Southeast Asian Studies in the United Kingdom (ASEASUK), Nordic Summer University (NSU), Association for Cultural Studies (ACS), and Japan Association for Cultural Economics (JACE). 

His creative practice includes exhibition design and information design (print/online media and websites), filmmaking and photography. 

MADE IN ASEAN Co-Curators

Dr Kristian Jeff Agustin
Philippines
Lead Curator

Dr Kristian Jeff Agustin

Philippines

 

Originally from Manila, Philippines, Kristian has also lived in Singapore (during a stint at the Asia-Europe Foundation), in Hong Kong (for his PhD research at Hong Kong Baptist University School of Communication / Academy of Film), and in London (for his postgraduate studies at the University of Westminster). In 2023, he obtained his PhD degree at Manchester Metropolitan University - Manchester School of Art. His current and previous academic and professional affiliations include the following: International Communication Association (ICA), International Association for Media and Communication Research (IAMCR),  Association of Southeast Asian Studies in the United Kingdom (ASEASUK), Nordic Summer University (NSU), Association for Cultural Studies (ACS), and Japan Association for Cultural Economics (JACE). 

His creative practice includes exhibition design and information design (print/online media and websites), filmmaking and photography. 

Andy Chan
Singapore

Andy Chan

Singapore

 

Andy obtained his Bachelors of Science in International Relations (University of London - Singapore Institute of Management) and holds a Diploma in Accountancy.

Freya Chow-Paul
United Kingdom / Singapore

Freya Chow-Paul

United Kingdom / Singapore

 

Freya Chow-Paul, a British national with Singaporean heritage, works at the Asia-Europe Foundation (ASEF) Education Department. Freya graduated from the University of Sussex, England, with a Bachelor’s degree in International Relations and Development. During her undergraduate, Freya undertook two study abroad exchanges, a summer school in Taipei at the National Taiwan University, and in Malmö, Sweden, for her third year at Malmö University under the Erasmus programme. Through her studies, she focused on peace and conflict studies, as well as education in development. Passionate about theatre, Freya also has 7 years extra-curricular experience in technical theatre where she worked primarily in stage management.

Kerrine Goh
Singapore

Kerrine Goh

Singapore

 

Kerrine is an arts management graduate from LASALLE College of the Arts and is currently with the National Arts Council, Singapore. She has been actively involved in the arts since 2015, with a portfolio that extends across a range of art forms, from visual and performing arts to literature and heritage. Kerrine’s research interests lie in cultural diplomacy and the distributional effects of cultural policy. Aside from the arts, Kerrine enjoys reading, writing, exploring and she is also a certified yoga instructor.

Martin Vidanes
Philippines

Martin Vidanes

Philippines

 

Martin Vidanes is a multimedia designer. Currently working at the Asia-Europe Foundation (ASEF) Communications Department, he brings with him his seven years of experience in design and marketing from a variety of industries. He is well-versed in both print and digital work, but specialises in graphic and motion design as well as video editing. Prior to joining ASEF, Martin was employed by two multi-national companies over a span of five years. He also worked in the editing room of several award-winning independent Filipino films as an assistant editor or a colourist. As a consultant, he has worked on several projects with organisations such as the Bank of the Philippine Islands, Nickelodeon, The Asia Foundation, the Office of Chief Justice Artemio V. Panganiban (Ret.), and Accord, Inc. Martin is a graduate of the University of the Philippines-Diliman with a BA degree in Interdisciplinary Art Studies. Outside of work, Martin enjoys reading young adult fiction, and people. 

Martin Vidanes

Philippines

 

Martin Vidanes is a multimedia designer. Currently working at the Asia-Europe Foundation (ASEF) Communications Department, he brings with him his seven years of experience in design and marketing from a variety of industries. He is well-versed in both print and digital work, but specialises in graphic and motion design as well as video editing. Prior to joining ASEF, Martin was employed by two multi-national companies over a span of five years. He also worked in the editing room of several award-winning independent Filipino films as an assistant editor or a colourist. As a consultant, he has worked on several projects with organisations such as the Bank of the Philippine Islands, Nickelodeon, The Asia Foundation, the Office of Chief Justice Artemio V. Panganiban (Ret.), and Accord, Inc. Martin is a graduate of the University of the Philippines-Diliman with a BA degree in Interdisciplinary Art Studies. Outside of work, Martin enjoys reading young adult fiction, and people. 

PROJECT SPONSORS

This project was supported in 2021 by

 

Previously supported by

 

Exhibition design and media partners

Exhibition design and media partners

Previous funding (2020-2022) granted by

   

Contact information

Kristian Jeff Agustin, PhD (Art & Design) 
Project Lead & Curator, ASEAN 20/20 Vision
Email: info@aseanvisionproject.com